I should add I don't remember a single train going off a bridge in the whole movie, or any hand grenades, or anybody saying "One word - and you die!" That alone sets it apart from the usual commercial openings during November, traditionally Hollywood's dumping ground. I've already mentioned that it's funny, sexy, bittersweet, and immortalizes the Pisier derriere. 1 hour / Thu, Sep 17 2 hours / Thu, Sep 17 3 hours / Thu, Sep 17 6 hours / Thu, Sep 17 12 hours / Thu, Sep 17 24 hours / Fri, Sep 18 48 hours / Sat, Sep 19 3 days / Sun, Sep 20 4 days / Mon, Sep 21 5 days / Tue, Sep 22 7 days / Thu, Sep 24 10 days / Sun, Sep 27 14 days / Thu, Oct 01 20 days / Wed.
It reminds me of " Breaking Away," another treasure: I left with a lot of affection for it. Are you looking for French Postcard design templates psd or ai files Pikbest have found 3747 free French Postcard templates of poster,flyer,card and brochure editable and printable. "French Postcards" has no stars and not much of an ad budget. And Marie-France Pisier, her jet black hair framing her startling red lipstick, is the kind of dark Gallic woman-of-a-certain-age who knocks your socks off. Blanche Baker (who turns out to be Carol Baker's daughter) has one of those open smiling, guileless, blond American faces that give even the French temporary pause.
The movie gets a lot of mileage out of Pisier's husband ( Jean Rochefort, the only French actor I know whose moustache looks cuckolded). So it is bittersweet, of course - bittersweet, that indispensable street you travel through adolescence on.īut it is also funny. It was produced, written and directed by Willard Huyck and Gloria Katz, who also wrote " American Graffiti," and it has the same sharp memory for those specific moments when young people suspect they are doing certain things for the last times in their lives. "French Postcards" knows and remembers all of those senses, which is what makes it so lovable. There is another sense in which it is infinitely better to stay in bed during those days, buttering croissants with your honey. There is a sense, of course, in which it is romantic to wander through old European cemeteries in the rain, seeing oneself in the third person as a poetic wraith. It is also made when another student ( Miles Chapin) falls in love with the pert little shop assistant at the bookstore next door.Īnd it is made most poignantly when an other student ( Blanche Baker) is reduced by loneliness to sending postcards home to her dreamboat, and haunting museums and cemeteries. That point is made in one of the movie's most delicious scenes, during which the Institute's saucy chief instructor ( Marie-France Pisier) inches herself into a pair of skin-tight jeans while one of her young Yankees ( David Marshall Grant) watches thunderstruck. It's about a group of American students who find themselves at the subtly wacky Institute of French Studies in Paris, and who find (as all people of 20 have found in Paris since time immemorial) that Paris is a city where the study of sexuality precludes all but the most pressing other disciplines. "French Postcards" is a lovely example of the coming ofage film.